সরাসরি প্রধান সামগ্রীতে চলে যান
☣The Sweet Renaissance☣





It was the best of times for Bengal in the second half of the nineteenth century, and the height of the golden age of Bengal’s resurgence. From fine arts to commerce, from culture to industry, from literature to science, in all things there was a glorious flowering of exuberant excellence. The spirit of this era touched the world of confectionery too. In the 1860s, the man who chose this area to engage his genius was Nobin Chandra Das (1845-1925).

It was a humble beginning. In a tiny, obscure corner of Bagbazar in North Kolkata, Nobin Chandra set up a sweet shop in 1866, but the last thing he wanted was to run a mere sales counter. The passion to create something of his very own haunted him. His ambition was to create a completely original sweet, that would bring new excitement to the Bengali palate. There was in him an intense desire to create a sweetmeat that was never there before... the ultimate delicacy. He toiled for months, armed with imagination, skill and tenacity, and sometime in the year 1868, his labours paid off. He made small balls of casein (cottage cheese) and boiled them in hot sugar syrup. The result was a succulent, spongy sweet with a unique, distinctive taste. Nobin Das christened it the “Rossogolla” and a legend was born.

ROSSOGOLLA- The National Sweet of India
                            It was an amazing innovation, carving for Nobin Chandra a place in legend and history where he has been lodged securely since then. Connoisseurs of sweets fondly remember him as “Nobinmoira, the Columbus of Rossogolla” a sobriquet coined half in jest and half in admiration. Highbrow Bengalis, who till then had used the word “moira” or confectioner disparagingly, came to lace it with reverence when linking it with Nobin Chandra’s name. The legendary “Nobinmoira” was born out of and sustained by a deep and abiding love: the love a Bengali has for his sweets.
                        Nobin Chandra’s ancestors were sugar merchants of considerable social standing. Hailing originally from the district of Burdwan, the Dases had made Kolkata their home for eight generations by now Their house on a horseshoe bend on the river Ganges in Sutanotty (now Bagbazar), was well known even a century ago. Being respectable and prosperous sugar merchants, the family did not take kindly to Nobin Chandra’s decision to be a sweetmeat seller. His family itself disdainfully referred to him as a “moira.” Little did they imagine that history would transform their contempt into lasting adulation. But he put up with the ignominy without protest. Later, Nobin Chandra sought to vindicate his position by referring to the Puranas which first equated sweetmeat makers to the Brahmins in social status and later on to the ‘Kshatriyas' after being enrolled as soldiers under ‘Kartabiryarjun'. He published a booklet in this connection.

By 1846, when Nobin Chandra was born, their traditional business had ceased to flourish. Nobin Chandra's father died three months before his birth. The only property that he inherited, besides his dwelling, was a plot of land. In 1864, left with little provision to complete his education, he sold this to establish a sweetmeat shop at Jorasanko in Kolkata at his mother's instance, in partnership with his relatives. Due to mismanagement, this venture was not very successful. Recovering from his shock, he managed to collect some money and started a new venture with another shop in Bagbazar in 1866. Most sweetmeats made then were either “Sondesh” (a delicacy exclusively for the affluent), or sweets made of “dal” (lentils) or flour from various grains. Choices were limited. Lovers of sweets yearned for novelty. Moreover, in those days, sweetmeat shops used to depend on credit sales. However, Nobin Chandra had no resources to offer credit to his customers. Consequently, his shop became a rendezvous for old, retired men and unemployed youths. Its attraction, the unsold sweets which they would enjoy at the end of the day. However, they encouraged Nobin Chandra to introduce a sweet different from the customary sondesh - a soft, succulent sweet as against the dry and hard texture of sondesh. It was at this opportune moment that he struggled towards this end, but every time he tried to boil the casein balls in sugar syrup they disintegrated. At last, he discovered the presence of an enzyme in the casein to which he ascribed a vernacular terminology that played the trick. Nobin Chandra finally succeeded in creating the soft, spongy and syrupy “Rossogolla” for the discerning Bengali palate.

It was the ultimate delicacy. In the absence of advertising as we know it today, it took its time to become popular. Nobin Chandra waited patiently until Fortune smiled on him at last. One fine morning, a magnificent landau came to a halt at his shop. A wealthy timber merchant, Raibahadur Bhagwandas Bagla was in the carriage with his family. One of Bhagwandas’s children was thirsty, and the carriage had stopped in search of a drink of water. Nobin Chandra offered his usual hospitality. The little boy was given water to drink along with “Rossogolla”. The child was delighted with this unique delicacy and offered his father a share. The father was equally ecstatic, and immediately bought a large quantity for his family and friends. This unorthodox ‘word of mouthful’ proved immensely useful. Nobin Chandra and his “Rossogolla” became famous in no time. Contrary to the advice of his friends and admirers to take out patents, he taught the intricacies of Rossogolla-making to numerous sweetmeat makers. He believed that his creation could only gain popularity if available in all sweet shops across the country.

Stories abound about Nobin Chandra’s ready creative genius. When Maharani Swarnamoyee Devi, the dowager of the house of Cossimbazar, complained that there were no more sweets to excite her jaded palate Nobin Chandra whipped up a delectable confection that made the old lady exclaim “Aabaar Khabo” i.e. "I want to eat it again!” This was the birth of this now famous variant of the time-honoured “sondesh.” Nobin Chandra’s confections were also hot favourites with the monks of the new-born Ramkrishna Mission, who had set up their fledgeling monastery in the neighbourhood. Rakhal Maharaj (Swami Brahmananda), the first president of the Mission and a close friend, confidant and guide of Swami Vivekananda, reportedly once said in jest, “Nobin has cut off our tongues and holds them hostage.” The “Dedo” Sondesh was a particular favourite of Sri Maa(consort of Sri Ramkrishna). To this day, this item is sent daily from the Kolkata factory of K. C. Das as an offering to Sri Maa. Dr. Pashupati Bhattacharya, a renowned medical practitioner of Bagbazar, would invariably buy Nobin Das' Rossogolla before visiting Rabindranath Tagore. One day the Rossogolla stock was exhausted in Nobin Das' shop when Dr. Bhattacharya arrived. He had to purchase from an adjoining shop. Rabindranath felt the difference and asked him to bring Rossogolla from Nobin's only.
                     Nobin Chandra was a thoroughly unorthodox “moira,” far ahead of his time. After he acquired the art of making rossogolla, he diverted his attention to the perfection of sondesh. From the granular and course varieties then in vogue, he succeeded in making it into a smooth paste and named it “Kastura”. He was the first traditional Bengali confectioner to incorporate natural fruit pulp in his creations and Bengalis of the succeeding generations have blessed the creator of the “Aata (custard apple) Sondesh” and “Kathaal (jackfruit) Sondesh.” Another curious example of his creative expression was the way he transformed the broken or crumbled balls of casein left over from the process of making “Rossogolla". He mixed these crumbs with “kheer” and added pistachios, raisins and saffron to make a unique kind of “Sondesh”. He christened it “Baikuntha Bhog,” truly a creation fit to be served at Vaikunth, the abode of the great god Vishnu.


Celebrating 100 years of Rossogolla in 1968 at Rossogolla Bhavan (House). The plaque being unveiled by the then Mayor of Kolkata, Mr. Gobindo De.

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☯মেসোপটেমিয়া সম্পাদনায় হিজড়াদের ইতিহাস☯ ▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪ "হিজড়া" শব্দটি একটি উর্দু শব্দ, যা সেমেটিক আরবি ধাতুমূল হিজর থেকে "গোত্র হতে পরিত্যাক্ত" অর্থে এসেছে এবং পরবর্তীতে তা হিন্দি ভাষায় বিদেশী শব্দ হিসেবে প্রবেশ করেছে। শব্দটির ভারতীয় ব্যবহারকে প্রথাগতভাবে ইংরেজিতে "ইউনাক" (Eunuch, অর্থঃ খোজা) বা "হারমাফ্রোডাইট" (hermaphrodite, অর্থঃ উভলিঙ্গ) হিসেবে অনুবাদ করা হয়। মেসোপটেমিয়ার পৌরাণিক কাহিনীতে মানবতার প্রাথমিক লিখিত রেকর্ডগুলির মধ্যে এমন ধরনের রেফারেন্স রয়েছে যা পুরুষও নয় এবং নারীও নয়। দ্বিতীয় সহস্রাব্দের একটি প্রস্তর ট্যাবলেট পাওয়া সুমেরীয় সৃষ্টি কাহিনীতে, দেবী নিনমা এমন ফ্যাশন করেছিলেন যেখানে "কোন পুরুষ অঙ্গ এবং কোন মহিলা অঙ্গ ছিলনা" যার জন্য Enki সমাজে একটি অবস্থান খুঁজে পেয়েছিল: "রাজার আগে দাঁড়ানো"। অ্যাট্রা-হাসিস (খ্রিস্টপূর্ব ১৭০০ খ্রিস্টাব্দ) এর আক্কাডিয়ান পুরাণে, পুরুষ এবং নারীদের পাশাপাশি "জনসাধারণের মধ্যে তৃতীয় শ্রেণি" প্রতিষ্ঠা করার জন্য এনকি, জন্মের দেবী নিন্তুকে উপদেশ দেয়, তাছাড়া
☣#কামারপুকুরের_সাদা_বোঁদের_কথা☣                             "যদি কুমড়োর মত,                                   চালে ধ'রে রত,                            পানতোয়া শত শত।                            আর, সরষের মত,                                  হ'ত মিহিদানা,                             বুঁদিয়া বুটের মত।।"                       রজনীকান্ত সেনের কল্যানী কাব্যগ্ৰন্থের ঔদারীক গানে বাংলার বিভিন্ন প্রকার মিষ্টান্নের উল্লেখ করেছেন। এই গানে বুঁদিয়া বা বোঁদের উল্লেখ পাওয়া যায়।                      বোঁদে শব্দটি সংস্কৃত শব্দ বিন্দুক থেকে উদ্ধৃত হয়েছে। বিন্দুক--বুঁন্দিয়া--বুরিন্দা--বুঁদিয়া থেকে তারপর বোঁদে শব্দটি এসেছে। সিন্ধ্রি তে নুক্তি বলা হয়। প্রাচীন সাহিত্যে এই বোঁদের উল্লেখ রয়েছে। প্রচীনকালে বিরিকলাই গুড়ো, আহৃত ঘি ও চিনি সহযোগে এই মিষ্টান্ন প্রস্তুত হত। সারা ভারতীয় উপমহাদেশে বোঁদের জনপ্রিয়তা রয়েছে। বিশেষত বাংলার বোঁদে স্বনামধন্য খ্যাতি রয়েছে।                   বর্তমানে বোঁদে চালগুড়ো ও বেসন য শিয়ে জল দিয়ে মেখে আধ-ঘন্টা রেখে দিতে হয়। তারপর ছানতা (ছিদ্রযুক্ত